Ties and Slurs on Piano: When to Hold and Play Again

Learn when to hold a note and when to play the next one, with three original piano examples and counted answers.

A tie means keep holding the same note. A slur means connect the notes as you play them. The curved marks can look similar, but they do different jobs: a tie joins durations; a slur describes how a phrase is played.

Try the three short examples below. Each uses treble clef and 4/4 time: count four steady quarter-note beats per bar. C4 is middle C, on the short ledger line below the staff.

1. A tie: two written notes, one key press

A tie joins consecutive notes of the same pitch. Add their lengths and play once. Two tied quarter notes last two beats; the second notehead is a reminder to keep holding, not to press again. The Open University explanation of ties also shows why they are useful across bar lines.

Treble clef, 4/4: C4 quarter tied to C4 quarter, followed by D4 and E4 quarter notes. Play C on beat 1, hold on 2, D on 3 and E on 4.
Original exercise, 28 October 2026. Four beats, three key presses.

Try it: say “1, 2, 3, 4” evenly. Press C on 1 and keep it down through 2. Play D on 3, then E on 4. If you played C twice, repeat the bar and say “hold” on beat 2.

2. A slur: connect the notes, keep their own timing

A slur groups notes for connected playing, called legato. It does not add their values into one long note. In this example, change from C to D on beat 2 without a deliberate gap; then play E on beat 3. Puget Sound’s music-theory text contrasts slurs and ties.

Treble clef, 4/4: C4 and D4 quarter notes under a slur, then an E4 half note. Play on beats 1, 2 and 3; hold E through 4.
Original exercise, 28 October 2026. Three key presses, including both notes under the slur.

Check: C takes one beat, D takes one, and E takes two: 1 + 1 + 2 = 4. Use separate fingers for C and D so you can practise the connection without the sustain pedal. This is a simple finger exercise, not a rule that every musical phrase must avoid pedal.

Different pitches under a curve cannot be a tie. However, a long slurred phrase can return to its starting pitch. Check which notes the curve covers and their rhythm; do not judge only its first and last notes.

3. Across a bar line: keep counting, keep holding

A bar line does not cancel a tie. Here, a whole-note C is tied to another whole-note C. In 4/4, each lasts four beats, so the sounding note lasts eight beats in total.

Two complete bars in treble clef and 4/4: C4 whole note tied across the bar line to C4 whole note. One key press lasts eight beats.
Original exercise, 28 October 2026. Count 1–2–3–4, then 1–2–3–4 again. One key press.

Try it: press C on the first 1. Keep the key down while you count both bars. Do not press again on the second bar’s 1. Release after its beat 4 has finished. Your piano sound may fade while you hold the key; that is different from deliberately repeating the note.

A quick reading check

  • Same pitch joined by a tie? Add the lengths and hold.
  • Notes grouped by a slur? Play their written rhythm with a connected phrase.
  • Tie crosses a bar? Restart the count, not the note.

If keeping the pulse is the difficult part, use the beginner rhythm exercises next. If the low C is hard to locate, practise reading ledger lines. For general note-reading practice, you can also open Ultimidi.